'love song' opening 'Ecco qual fiero istante'

Reading experience

?itemComments

'love song' opening 'Ecco qual fiero istante'

Reading experience
Identifer:
ukred-28082

Evidence

Elizabeth Carter to Catherine Talbot, 10 July 1754: "After that exquisitely beautiful sonnet [by Carlo Maria Maggi, opening "Care dell"alma stanca Albengatrici..."] you sent me, I am quite ashamed to let you see poor Metastasio"s love song [as previously promised], but the simplicity of it pleased me, and simplicity is an excellence not often to be met with in any modern compositions, except those of our own country, of which I think it is the characteristic."

Source

A Series of Letters Between Mrs Elizabeth Carter and Miss Catherine Talbot, from the year 1741 to 1770. To which are added, Letters from Mrs Elizabeth Carter to Mrs Vesey, between the years 1763 and 1787

Text being read

EuRED : text status
TST4
EuRED : text form
TFO27
EuRED : text provenance
TPR215

Reader(s) and listener(s)

Reader
Carter, Elizabeth
Aged 37 [Experience in 1754, born in 1717]

Details of the reading experience

Date of Reading Experience
January 1 - July 10 1754
Time of Reading Experience
EuRED : experience type
EXT13
EuRED : experience frequency
EXF3
Place of reading experience
England
EuRED : emotions
EuRED : intensity
EuRED : environment
EuRED : lighting
EuRED : testimony
EuRED : reliability
Notes
Carter had named, and promised to send, this text to Talbot in a letter of 18 March 1754 (see p.165 in source). Metastasio was the pseudonym of the Italian poet Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782).

How to cite this record

You can copy this item for personal use, share it, and post it on a blog or website. It cannot be used commercially without permission. Please ensure the following credit accompanies it:

A Series of Letters Between Mrs Elizabeth Carter and Miss Catherine Talbot, from the year 1741 to 1770. To which are added, Letters from Mrs Elizabeth Carter to Mrs Vesey, between the years 1763 and 1787
http://eured.univ-lemans.fr/dbworkshop/index.php/Detail/objects/89770
Accessed on 2020/01/18 01:44:37

Related place
England
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        <title>'love song' opening 'Ecco qual fiero istante'</title>
      </titleStmt>
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        <biblStruct>
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            <title>A Series of Letters between Mrs Elizabeth Carter and Miss Catherine Talbot, from the year 1741 to 1770. To which are added, Letters from Mrs Elizabeth Carter to Mrs Vesey, between the years 1763 and 1787</title>
            <imprint>
              <publisher>Montagu Pennington</publisher>
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              <date>1809</date>
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          <expFrequency scheme="http://eured.univ-lemans.fr/thesaurus/experience_frequency" ref="EXF3">Unknown</expFrequency>
          <note>Carter had named, and promised to send, this text to Talbot in a letter of 18 March 1754 (see p.165 in source).

Metastasio was the pseudonym of the Italian poet Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782).</note>
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          <ptr target="ukred-28082">Elizabeth Carter to Catherine Talbot, 10 July 1754:

"After that exquisitely beautiful sonnet [by Carlo Maria Maggi, opening "Care dell"alma stanca Albengatrici..."] you sent me, I am quite ashamed to let you see poor Metastasio"s love song [as previously promised], but the simplicity of it pleased me, and simplicity is an excellence not often to be met with in any modern compositions, except those of our own country, of which I think it is the characteristic."</ptr>
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?itemComments

'love song' opening 'Ecco qual fiero istante'

Reading experience
Identifer:
ukred-28082

Evidence

Elizabeth Carter to Catherine Talbot, 10 July 1754: "After that exquisitely beautiful sonnet [by Carlo Maria Maggi, opening "Care dell"alma stanca Albengatrici..."] you sent me, I am quite ashamed to let you see poor Metastasio"s love song [as previously promised], but the simplicity of it pleased me, and simplicity is an excellence not often to be met with in any modern compositions, except those of our own country, of which I think it is the characteristic."

Source

A Series of Letters Between Mrs Elizabeth Carter and Miss Catherine Talbot, from the year 1741 to 1770. To which are added, Letters from Mrs Elizabeth Carter to Mrs Vesey, between the years 1763 and 1787

Text being read

EuRED : text status
TST4
EuRED : text form
TFO27
EuRED : text provenance
TPR215

Reader(s) and listener(s)

Reader
Carter, Elizabeth
Aged 37 [Experience in 1754, born in 1717]

Details of the reading experience

Date of Reading Experience
January 1 - July 10 1754
Time of Reading Experience
EuRED : experience type
EXT13
EuRED : experience frequency
EXF3
Place of reading experience
England
EuRED : emotions
EuRED : intensity
EuRED : environment
EuRED : lighting
EuRED : testimony
EuRED : reliability
Notes
Carter had named, and promised to send, this text to Talbot in a letter of 18 March 1754 (see p.165 in source). Metastasio was the pseudonym of the Italian poet Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782).

How to cite this record

You can copy this item for personal use, share it, and post it on a blog or website. It cannot be used commercially without permission. Please ensure the following credit accompanies it:

A Series of Letters Between Mrs Elizabeth Carter and Miss Catherine Talbot, from the year 1741 to 1770. To which are added, Letters from Mrs Elizabeth Carter to Mrs Vesey, between the years 1763 and 1787
http://eured.univ-lemans.fr/dbworkshop/index.php/Detail/objects/89770
Accessed on 2020/01/18 01:44:37

Related place
England
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          <expFrequency scheme="http://eured.univ-lemans.fr/thesaurus/experience_frequency" ref="EXF3">Unknown</expFrequency>
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Metastasio was the pseudonym of the Italian poet Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782).</note>
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        <p>
          <ptr target="ukred-28082">Elizabeth Carter to Catherine Talbot, 10 July 1754:

"After that exquisitely beautiful sonnet [by Carlo Maria Maggi, opening "Care dell"alma stanca Albengatrici..."] you sent me, I am quite ashamed to let you see poor Metastasio"s love song [as previously promised], but the simplicity of it pleased me, and simplicity is an excellence not often to be met with in any modern compositions, except those of our own country, of which I think it is the characteristic."</ptr>
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