works on ceramics

Reading experience

Identifer:

Evidence

Source

Text being read

EuRED : text status

EuRED : text form

EuRED : text provenance

Reader(s) and listener(s)

Details of the reading experience

Date of Reading Experience

Time of Reading Experience

EuRED : experience type

EuRED : experience frequency

Place of reading experience

EuRED : emotions

EuRED : intensity

EuRED : environment

EuRED : lighting

EuRED : testimony

EuRED : reliability

Notes

How to cite this record

You can copy this item for personal use, share it, and post it on a blog or website. It cannot be used commercially without permission. Please ensure the following credit accompanies it:

Lady Charlotte Schreiber. Extracts from her Journal 1853-1891
http://eured.univ-lemans.fr/dbworkshop/index.php/Detail/objects/88793
Accessed on 2021/01/19 01:35:37

Related place

<?xml version="1.0" encoding="utf-8"?>
<!DOCTYPE TEI PUBLIC "customisation-tei/tei_readingExp.dtd" "">
<TEI xmlns="http://www.tei-c.org/ns/1.0">
  <teiHeader>
    <fileDesc>
      <titleStmt>
        <author>
          <persName>
            <forename/>
            <surname>Pottier</surname>
          </persName>
        </author>
        <title>works on ceramics</title>
      </titleStmt>
      <sourceDesc>
        <biblStruct>
          <monogr>
            <author>
              <persName>
                <forename>Lady Charlotte</forename>
                <surname>Schreiber</surname>
              </persName>
            </author>
            <title>Lady Charlotte Schreiber. Extracts from her Journal 1853-1891</title>
            <imprint>
              <publisher>Earl of Bessborough</publisher>
              <pubPlace>London</pubPlace>
              <date>1952</date>
            </imprint>
            <availability/>
            <biblScope/>
          </monogr>
        </biblStruct>
      </sourceDesc>
      <notesStmt>
        <note>xml/ukred-27540.xml</note>
      </notesStmt>
    </fileDesc>
    <profileDesc>
      <correspDesc>
        <correspAction type="sending">
          <persName>
            <forename/>
            <surname/>
          </persName>
        </correspAction>
        <correspAction type="receiving">
          <persName>
            <forename/>
            <surname/>
          </persName>
        </correspAction>
      </correspDesc>
      <langUsage/>
    </profileDesc>
    <experienceDesc>
      <experience ref="ukred-27540">
        <respStmt resp="submitter">
          <resp>submitted by</resp>
          <persName>
            <forename>Jenny</forename>
            <surname>McAuley</surname>
          </persName>
          <address>
            <address_line/>
          </address>
          <email>jennymcauley@hotmail.com</email>
        </respStmt>
        <respStmt resp="editor"/>
        <date from="1874-08-01" to="1874-08-31">Aug 1 1874 - Aug 31 1874</date>
        <time/>
        <reader>
          <persName>
            <forename/>
            <surname/>
          </persName>
          <sex>F</sex>
          <age>Adult (18-100+)</age>
          <education scheme="http://eured.univ-lemans.fr/thesaurus/education"/>
          <birth/>
          <note>also known as Lady Charlotte Guest. Nee Charlotte Bertie</note>
          <readerStatus scheme="http://eured.univ-lemans.fr/thesaurus/reader_status"/>
        </reader>
        <listener/>
        <place>
          <location>
            <country>France</country>
            <settlement type="city">Rouen</settlement>
            <district/>
          </location>
        </place>
        <textRead>
          <author>
            <persName>
              <forename/>
              <surname>Pottier</surname>
            </persName>
          </author>
          <title>works on ceramics</title>
          <genre scheme="http://eured.univ-lemans.fr/thesaurus/genre" ref="???">???</genre>
          <textProvenance ref="TPR215" scheme="http://eured.univ-lemans.fr/thesaurus/text_provenance">Unknown</textProvenance>
          <textStatus ref="TST4" scheme="http://eured.univ-lemans.fr/thesaurus/text_status">Unknown</textStatus>
          <textForm scheme="http://eured.univ-lemans.fr/thesaurus/text_form" ref="TFO02">Book</textForm>
          <origLanguage>
            <language/>
          </origLanguage>
          <textStatus scheme="http://eured.univ-lemans.fr/thesaurus/text_status"/>
        </textRead>
        <readingExp>
          <experienceType scheme="http://eured.univ-lemans.fr/thesaurus/experience_type" ref="EXT13">Unknown</experienceType>
          <posture scheme="http://eured.univ-lemans.fr/thesaurus/posture"/>
          <lighting scheme="http://eured.univ-lemans.fr/thesaurus/lighting"/>
          <environment scheme="http://eured.univ-lemans.fr/thesaurus/environment"/>
          <intensity scheme="http://eured.univ-lemans.fr/thesaurus/intensity"/>
          <emotion scheme="http://eured.univ-lemans.fr/thesaurus/emotion"/>
          <testimony scheme="http://eured.univ-lemans.fr/thesaurus/testimony"/>
          <sourceReliability scheme="http://eured.univ-lemans.fr/thesaurus/source_reliability"/>
          <expFrequency scheme="http://eured.univ-lemans.fr/thesaurus/experience_frequency" ref="EXF3">Unknown</expFrequency>
          <note>Source ed. goes on to relate how the Schreibers eventually recovered their bottle, after finding it in the Brussels shop of the dealer who had purchased it; see p.136.</note>
        </readingExp>
      </experience>
    </experienceDesc>
  </teiHeader>
  <text>
    <body>
      <p>
        <ptr target="ukred-27540">The Earl of Bessborough describes events following Lady Charlotte Schreiber and her husband"s sale of "a gourd-shaped bottle of Wedgwood ware" bought at Rotterdam in 1873, following assessment of it as of "no value whatsoever":

"In August 1874 the Schreibers were in Rouen, and according to their custom visited the Museum. What was their dismay when they found exactly similar bottles on the most conspicuous shelf in the place of honour. They immediately consulted the magnificent quartos of Pottier, the well-known archaeologist and ceramic expert, and learnt that there was nothing in Europe so rare as those productions, the work of one Dorio, an Italian, who made a few fine things at Rouen when on his way to Holland, where he introduced the same style in a few pieces."

</ptr>
      </p>
    </body>
  </text>
</TEI>