Three Paths, The

Reading experience

Identifer:

Evidence

Source

Text being read

EuRED : text status

EuRED : text form

EuRED : text provenance

Reader(s) and listener(s)

Reader

Details of the reading experience

Date of Reading Experience

Time of Reading Experience

EuRED : experience type

EuRED : experience frequency

Place of reading experience

EuRED : emotions

EuRED : intensity

EuRED : environment

EuRED : lighting

EuRED : testimony

EuRED : reliability

Notes

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Letters of Mrs Gaskell, The
http://eured.univ-lemans.fr/dbworkshop/index.php/Detail/objects/75021
Accessed on 2020/06/03 18:57:46

Related place

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            <forename>Herbert</forename>
            <surname>Grey</surname>
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        <title>Three Paths, The</title>
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                <forename>Elizabeth Cleghorn</forename>
                <surname>Gaskell</surname>
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            </author>
            <title>Letters of Mrs Gaskell, The</title>
            <imprint>
              <publisher>J.A.V. Chapple</publisher>
              <pubPlace>Manchester</pubPlace>
              <date>1997</date>
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        <respStmt resp="submitter">
          <resp>submitted by</resp>
          <persName>
            <forename>Sarah</forename>
            <surname>Johnson</surname>
          </persName>
          <address>
            <address_line/>
          </address>
          <email>saj28@cam.ac.uk</email>
        </respStmt>
        <respStmt resp="editor">
          <resp>reviewed by</resp>
          <persName>
            <surname>Rosalind Crone</surname>
          </persName>
          <date>14/05/2009 15:06</date>
        </respStmt>
        <date from="1859-03-15">Mar 15 1859 -   </date>
        <time/>
        <reader>
          <persName>
            <forename>Elizabeth Cleghorn</forename>
            <surname>Gaskell</surname>
          </persName>
          <sex>F</sex>
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          <education scheme="http://eured.univ-lemans.fr/thesaurus/education"/>
          <birth>1810-09-29</birth>
          <country>England</country>
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        <listener/>
        <place>
          <placeName type="street">42 Plymouth Grove</placeName>
          <location>
            <country>England</country>
            <settlement type="city">Manchester</settlement>
            <district/>
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          <author>
            <persName>
              <forename>Herbert</forename>
              <surname>Grey</surname>
            </persName>
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          <title>Three Paths, The</title>
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          <emotion scheme="http://eured.univ-lemans.fr/thesaurus/emotion"/>
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          <expFrequency scheme="http://eured.univ-lemans.fr/thesaurus/experience_frequency" ref="EXF3">Unknown</expFrequency>
          <note>Additional editor, Arthur Pollard. Letter to Herbert Grey.</note>
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      <p>
        <ptr target="ukred-19245">"As you ask me for my opinion I shall try and give it as truly as I can; otherwise it will be of no use [...] In the first place you say you do not call The 3 paths a novel; but the work is in the form which always assumes that name, nor do I think it is one to be quarrelled with. I  suppose you mean that you used the narrative form merely to {convey} introduce certain opinions &amp; thoughts. If so you had better have condensed them into the shape of an Essay. Those in Friends in Council &amp;c. are admirable examples of how much may be said on both sides of any question without any {dogma} decision being finally arrived at, &amp; certainly without any dogmatism. [Gaskell then discusses the merits of the concise essay form] But I believe in spite of yr objection to the term "novel" you do wish to "narrate", - and I believe you can do it if you try, - but I think you must observe what is [italics] out [end italics] of you, instead of examining what is [italics] in [end italics] you. [Gaskell explains the merits of this at length]. Just read a few pages of De Foe &amp;c - and you will see the healthy way in which he sets [italics] objects [end italics] not [italics] feelings [end italics] before you. [She advises Grey to use what he observes through every day contact with real people] Think if you can not imagine a complication of events in their life which would form a good plot. (Your plot in The Three paths is very poor; you have not thought enough about it - simply used it as a medium. [She discusses the advantages of tight plotting and advises] Don"t intrude yourself into your description. If you but think eagerly of your story till [italics] you see it in action [end italics], words, good simple strong words will come. [she then criticises his overuse of epithets, overlong conversations and allusions, concluding] You see I am very frank-spoken. But I believe you are worth it."</ptr>
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